en:vok:akkordfolge

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chord progression

LEXIS


Akkordfolge
Akkordprogression
Verbindung

chord progression

和音進行(わおんしんこう)
和声進行(わせいしんこう)
コード進行(しんこう)
コード・チェインジ・パターン

Many songs and popular pieces of music contain characteristic, regular sequences of certain chords. They are based on the basic key of a piece and the scale degrees based on harmony theory (see ⇒ scale).

Scale degrees

Degree
I
II
III
IV
V
VI
VII
Name
Tonic
Supertonic
Mediant
Subdominant
Dominant
Submediant
Meaning
Base and target (quietness)
Minor
Minor
Transition; major
Tension (interruption); major; often with seventh
Minor
Diminished
In C Major
C
Dm
Em
F
G
Am
B

Popular chord progressions

Structure
14
141541
1451
15641
16251
1625
1645
251
261
65431
Name

Blues cadence 1)
Major cadence
Pop cadence
Swing cadence

Ice cream
jazz progression

Spanish cadence
Degrees
I-IV
I-IV-I-V7-IV-I
I-IV-V-I
I-V-vi-IV-I
I-VI-II7-V7-I
I-vi-ii-V
I-vi-IV-V
ii7-V7-I
II-vi-I
vi-V-IV-III-I
In C Major
C-F
C-F-C-G7-F-C
C-F-G-C
C-G-Am-F-C
C-A7-D7-G7-C
C-Am-Dm-G
C-Am-F-G
Dm7-G7-C
Dm-Am-C
Am-G-F-E-C
Remarks


Most common of all sequences. Often at the end of a piece.


Ballads
Popular in country and softrock
Popular in Jazz
Popular at the end of a song

I-x-V-I Progressions

The I-x-V-I scheme

A set model or scheme popular in many musical genres leads from the tonic (degree I) over a second chord to the dominant (V) and finally back to the tonic (I). The second chord can be the tonic itself (I), the subdominant parallel (II), the subdominant (IV), the dominant (V), or the tonic parallel (VI) – resulting in the following progressions:

Pachelbel-Sequenz

Pachelbel sequence

The sequence invented by Johann Pachelbel for his Canon in D major is as follows:

1563-4145I-V-vi-iii-IV-I-IV-V7C-G-Am-Em-F-C-F-G7

A single change in the penultimate chord (replacing the repetition of the subdominants with their minor parallel) results in the modified Pachelbel sequence, which leads through all common chords and is therefore particularly suitable for practicing:

1563-4125I-V-vi-iii-IV-I-ii-V7C-G-Am-Em-F-C-Dm-G7

The Folia

One of the most popular chord progressions of the Baroque era was the folia.

  • La Folia

    Harmonieschema:

    • i-V7-i-VII-III-VII-i-V7 i-V7-i-VII-III-VII-i-V7 i

    Stufenschema:

    • 15173715 15173715 1

    Beispiel D-Moll:

    • Dm-A7-Dm-C-F-C-A7 Dm-A7-Dm-C-F-C-Dm-A7 Dm

    22.10 0100. 22.10 00.03. 201.0 00.03. 01.00 22.10 0100. 22.10 00.03. 201.0 00.03. 22.10 01.00 22.10

Exercises

6415 chordprogression in G major

Elementary progression in A minor

The following chord progression 2) contains a number of elementary ukulele chords. It begins with a major cadence (1451) and enters a softrock-like cadence (64751).

Chord Am Dm E7 Am F D G E Am
Degree i iv V7 i VI IV VII V i

Links

1)
Cadence: A chord progression, which, after building up a tension by dissonances, leads back to the tension-solving chord. Ulrich Kaiser: “In a cadence a tension comes to rest.”
2)
Source: Haiko Heinz: Guitar Workshop