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- expression
- 2, pp. 58--59)) >The artist is inexplorable, the work of art is explorable.((Eduard Hanslick: //Vom Mus... nd foremost [[Musik]], objective structure. Their works will be distinguished from one another by unmist... ses us above the impressions of everyday life and works towards our perfection, not through moralizing t
- Blue Note
- e musicians have told me to make. They just don't work with the real blues ... the blues didn't come out
- chord progression
- Gm-C * G-Em-C-D, G-Em-C-D7, G-Em-Am-D == How it Works == The working of this progression is often compared to an adventurous journey: from the safe home (th... lie Harding: //Switched on Pop: How Popular Music Works, and Why It Matters//, Oxford University Press, ... de/artikel/einzelansicht/dreiklang-improvisations-workshop-1.html|Haiko Heinz: Guitar Workshop]])) conta
- rosewood @en:vok:klangholz
- cking and therefore generally less problematic to work with. [[http://www.esomogyi.com/tonewoods.html|E
- tempo
- e metronomical indications for the tempi in their works. Since then, the speed of a single beat remains
- bocote @en:vok:klangholz
- ive. It is similar to [[Ahorn]], but heavier, and works well. <panel> <carousel> * {{img:272.jpg?120x1
- morado @en:vok:klangholz
- lowish-white. The heavily grained wood is easy to work, moderately heavy, hard, has very good mechanical
- elm @en:vok:klangholz
- ense and therefore durable, but also difficult to work. <panel> <carousel> * {{img:266.jpg?120x120}} <... e wood is resistant to decay, it is prized in woodworking, furniture and flooring. Nearly impossible to
- pick
- s used for performing more intricate or virtuosic work, but are not needed for beginner [[schlagen|strum
- little finger
- [q]] is important as a flexible and quick-to-use "working finger", which often plays passing notes as we
- psychoacoustics
- time, universal mechanisms of perception seem to work. Members of African Mafa culture first confronted
- intro
- or the overture in [[en:stil:klassik|classical]] works, which should lead to the main part. The intro p... (iii-VI7-ii-V7) or 6225 (vi-II7-ii-V7) will also work. The chords may e.g. be played as [[arpeggio]], e
- tablature
- in writing (notations) are either phonetic (i.e., working with letters, numbers, words, etc.) or graphic... gal Aspects"> If one evaluates the tablature of a work published otherwise in notation as a practical pl
- chord diagram
- ele]] are shown as lines in a rectangular line network. Mostly the representation is vertical; then the
- bar (chord)
- irection of [[en:vok:hals]]. * The [[en:vok:p]] works best to support the barré when it rests parallel