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- Improvisation
- phicon-link"> </panel> <panel title="References" icon="glyphicon glyphicon-book"> </panel> </accordion>
- tone and sound
- holstered furniture, carpets, curtains, blankets, bookshelves and foam boards (but not cardboard egg car
- expression
- anel title="References" icon="glyphicon glyphicon-book"> * Eckart Altenmüller, Reinhard Kopiez: "Stark
- Blue Note
- he real blues ... the blues didn't come out of no book and them real chords did ...((Quoted in Jürgen Hu
- chord progression
- panel> <panel title="Links"> * [[http://de.wikibooks.org/wiki/Gitarre:_Akkordprogressionen|Gitarre: A
- dead spot
- anel title="References" icon="glyphicon glyphicon-book"> * Helmut Fleischer, Tilmann Zwicker: "[[https
- tuning
- le="References"> * Richter, Axel: //Ukulele Handbook For Soprano, Concert, Tenor, and Baritone Uke.//
- contrafact
- Healing the Worship Wars with Fusion.// Augsburg Books, 2005, 15)) >The best known contrafacts in jazz... l> <panel title="Links" icon="glyphicon glyphicon-book"> * [[https://en.wikipedia.org/wiki/List_of_jaz
- tempo
- dissoni]] //, translated by Günter Scheibel 2017. Book VII, chap. IX, p. 208.)) Also, [[en:stil:klassik:
- score
- : English Poets and American Jazz". In: //The Yearbook of English Studies// 17 (1987), S. 46-61, hier S.
- chord
- = References === * Richter, Axel: //Ukulele Handbook For Soprano, Concert, Tenor, and Baritone Uke.//
- voicing
- SBN 9781457494086) * Willmott, Bret: //Complete Book of Harmony, Theory and Voicing.// Mel Bay Publica
- Madeira
- a]]//. London: R. Ackermann 1821, S. 77 The same book also features a group of "country musicians", one
- motif
- phicon-link"> </panel> <panel title="References" icon="glyphicon glyphicon-book"> </panel> </accordion>
- harmony
- re efficient?((Johann Joachim Quantz: //[[https://books.google.de/books?id=EaARf3buCjAC&printsec=frontcover&hl=de#v=snippet&q=tonarten&f=false|Versuch einer A