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- Improvisation
- can use [[slide|slides]] to lead to a note of the chord, for example. </panel> <panel title="Videos" ico
- minor key
- nor key consists of the notes of a [[akkord#minor chord|minor triad]] built on the [[Grundton]], and a di... tones) above the highest note of the second minor chord. The natural minor is derived from the early mod... n, there is the note that is a [[akkord#Augmented chord|augmented]] second (three semitones) above the highest note of the second minor chord. This makes the chord formed on the dominant of
- Blue Note
- hey can not be used for the formation of [[Akkord|chords]], as the blues musician [[https://en.wikipedia.... i I have to go back to my sound and not the right chords as the musicians have told me to make. They just... he blues didn't come out of no book and them real chords did ...((Quoted in Jürgen Hunkemöller: "Blues".
- circle of fourths
- chromatic)| </panel> <panel title="Gender of the chords"> ^Colour^Major scale^Minor scale^ ^green|major
- circle of fifths
- chromatic)| </panel> <panel title="Gender of the chords"> ^Colour^Major scale^Minor scale^ ^green|major
- chord progression
- ===== chord progression ===== {{page>kopf:vok:akkordfolge&nofooter&nolink&nodate&nouser&nomdate&noeditbut... tic, regular sequences of certain [[en:vok:akkord|chords]]. They are based on the basic key of a piece an... harmony theory (see => [[en:vok:tonleiter]]). The chords usually change after one half, one whole two who... B </col> </grid> </panel> <panel title="Popular chord progressions"> <grid> <col sm="1"> **Structure**\
- tuning
- ings. They are each named after the [[akkord#open chords]] that can be played with them. C6 and D6 tuning... ou play the empty strings you already get a major chord (C major or D major). If you tune the fourth stri... er //open tuning//: The open strings play a minor chord (A minor or B minor). </panel> </col> </grid> <a... match the pitch of the open first string. <class chords> xx50. x40.x 2xx0.</class> </col> <col sm="6"> =
- contrafact
- tudied. The use of new melody lines over familiar chord changes can bring a fresh perspective to improvis
- rule of the octave
- dered as constituents of the three basic [[Akkord|chords]] [[Grundton|tonic]], [[Subdominante]] and [[Dom
- score
- below it, a piano accompaniment, and [[vok:akkord|chord]] diagrams or symbols usually intended for the [[... Sheet music, setting out simplified [[vok:Akkord|chord]] sequences for these instruments, sold in their
- index finger
- the 1<sup>st</sup> [[bund]]. It is also commonly used for [[Barré|barring]] [[akkord|chords]]. </panel>
- thumb
- sensible only in [[lowg]] tuning to play [[akkord|chords]] or [[melodie|melody]] notes in which the bass
- little finger
- three frets away from the [[i]]. * For [[akkord|chords]] and [[bewegliche griffmuster]] that are played
- psychoacoustics
- sion that the bass notes of their [[en:vok:akkord|chords]] are missing. As a result, the chords are perceived as open, light and cheerful. This conception is ca
- intro
- Harmonic ostinato == When certain [[Akkordfolge|chord progressions]] are repeated, this is called //har... ii-V7) or 6225 (vi-II7-ii-V7) will also work. The chords may e.g. be played as [[arpeggio]], each chord lasting for a whole bar. <grid> <col sm="6"> == 1625 == ... ral, a piece of music ends on the [[grundton|root chord]]. It therefore makes sense to play the complete