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- dynamics @en:vok
- l lowering of volume, //diminuendo// on the other hand also a gradual and careful slowing down, especial
- tone and sound @en:vok
- nel> <panel title="Ambient Sound"> On the other hand, how well a ukulele can be heard depends on the c
- expression @en:vok
- subtitle="Idealism"> Richard Wagner, on the other hand, insisted that music should always be only means
- harmonics @en:vok
- ed open. The index finger of the [[en:vok:Anschlaghand]] lies loosely -- without exerting pressure on th... t tone is picked as usual with the [[en:vok: greifhand]] on the [[en:vok:Griffbrett]]; at the same time,... ageolet, the index finger of the [[en:vok:anschlaghand]] 12 strings lower the string while the thumb str
- embellishment @en:vok
- rnate picking]] or [[Dedillo]] with the [[Anschlaghand]]. </panel> </col> <col sm="3"> <panel title="Tri... , [[Abzugsbindung]] or [[Zupfen]] with the [[Greifhand]]. </panel> </col> <col sm="3"> <panel title="Vib... sbindung]] oder [[Abzugsbindung]] with the [[Greifhand]]. </panel> </col> <col sm="3"> <panel title="Gra... as [[Aufschlagsbindung]], [[Abzugsbindung]] or [[Slide]] with the [[Greifhand]]. </panel> </col> </grid>
- Sources of the History of the Ukulele: 1930-1979
- i]], das ziemlich einfach ist und das man mit der Hand spielt. Die Form ist rund oder oval. In Hawaii he... old ukulele, now this is the one I've got in the hand, the wooden uke, this is just about the same sort... e positions rapidly. At the same time, your right hand is trying to strum across all four strings at the... ve fingers wrapped around one cone, and the other hand holding Junior away. >But a great talent is hard
- beginners @en:didaktik
- leYes!]], 1.12.2008)) </panel> <panel title="Left-hand coordination and singing"> >An initial emphasis o... ues allows the co-ordination of the [[en:vok:greifhand|left-hand]] to develop methodically in order to ensure a relaxed technique and to avoid potential injur
- pick @en:vok
- :vok:p]] and [[en:vok:i]] of the [[en:vok:anschlaghand]] so that its lower third is visible and the vert... of the [[en:vok:korpus]] by the [[en:vok:anschlaghand]] is lost. It is therefore advisable to use a str... ut [[saite|strings]], was created to be played by hand. This is not only one of the main features distin
- index finger @en:vok
- er&nomdate&noeditbutton}} <panel title="Strumming hand" subtitle="Letter: I"> When using a three finger ... i]] for [[schlagen]]. </panel> <panel title="Fret hand" subtitle="Numeral: 1"> In the first [[Lage]], th
- middle finger @en:vok
- er&nomdate&noeditbutton}} <panel title="Strumming hand" subtitle="Letter: M"> The [[M]] is rarely used i... #alternate picking]]. </panel> <panel title="Fret hand" subtitle="Numeral: 2"> In the first [[Lage]], th
- ring finger @en:vok
- er&nomdate&noeditbutton}} <panel title="Strumming hand" subtitle="Letter: A"> The [[A]] is rarely used i... #alternate picking]]. </panel> <panel title="Fret hand" subtitle="Numeral: 3"> In the first [[Lage]], th
- thumb @en:vok
- er&nomdate&noeditbutton}} <panel title="Strumming hand" subtitle="Letter: P"> The thumb of the [[Anschlaghand]] ([[vok:Fingersatz#Fingering letters|fingering l... percussive]] effects. </panel> <panel title="Fret hand" subtitle="Numeral: 0"> == Supporting finger == The thumb of the [[greifhand]] (numeral: 0) is usually supported on the back o
- little finger @en:vok
- er&nomdate&noeditbutton}} <panel title="Strumming hand" subtitle="Letter: Q or C"> For most types of att... #alternate picking]]. </panel> <panel title="Fret hand" subtitle="Numeral: 4"> For the gripping hand, however, the [[q]] is important as a flexible and quick-
- percussion techniques @en:vok
- n, like drums. For muting techniques with [[Greifhand]] and [[Anschlaghand]] see [[dämpfen]]. <grid> <col sm="5"> <panel title="Slap"> For a //slap//, the [[anschlaghand]] hits flat on the [[korpus]], whereas the palm of the hand covers the [[griffbrett]] and mutes the [[saite]]
- psychoacoustics @en:vok
- as virtuosity and which require rapid changes of hand posture, it can happen >that the visually percept... with is in some ways "predictable". On the other hand, certain musical formulas and themes are remember