Suche
Unten sind die Ergebnisse Ihrer Suche gelistet.
Passende Seitennamen:
Volltextergebnisse:
- Jazz @en:stil
- [[en:vok:rhythmus]], [[en:vok:Melodie]], [[en:vok:Harmonie]], formal language and performance practice. Typi
- key @en:vok
- a [[Grundton]]. This ordering also results in a [[Harmonie]] belonging to that key. In European music before
- music @en:vok
- n most cases also [[en:vok:melodie]] and [[en:vok:harmonie]]. Its perception is dependent on [[en:vok:ton|ph
- expression @en:vok
- ol sm="4"> * [[Struktur]] * [[Melodie]] * [[Harmonie]] * [[Rhythmus]] </col> <col sm="4"> * mode (... ity, resting in them, of different [[Melodie]], [[Harmonie]] and rhythm. Unused and inexhaustible above all
- timbre @en:vok
- of a musical composition alongside [[melodie]], [[harmonie]] and [[rhythmus]]. === Attack and Timbre === A
- Blue Note @en:vok
- expected" for Western listeners used to Western [[Harmonie]]. Therefore they can not be used for the formati
- embellishment @en:vok
- d]] that does not change the [[melodie]] or the [[harmonie]] of a piece of [[musik]], but is merely used to
- Sources of the History of the Ukulele: 1930-1979
- nt nos disques ont recueilli la chanson, dont les harmonies ont rempli nos dancings européens. Christiane Fo... lichen werden. Es wimmelt von Fehlern in Satz und Harmonie. Dabei handelt es sich um Querstände, falsche Ter... getwijfeld zijn hoofd geschut over de melodie, de harmonie en over de instrumenten van deze Amerikaansche Sc
- contrafact @en:vok
- new ways of creating [[melodie]] and of subtly [[harmonie|re-harmonizing]] a song which have been highly us
- scale @en:vok
- 89, 67)) All tones of a scale can be played and [[harmonie|harmonized]] using the [[oktavregel]]. <accordion
- dominant @en:vok
- the [[subdominante]], it forms the three basic [[harmonie|harmonic]] functions. </panel> <panel title="Exam
- subdominant @en:vok
- and the [[dominante]], it forms the three basic [[harmonie|harmonic]] functions. </panel> <panel title="Exam
- rule of the octave @en:vok
- //regola dell'ottava//) is a practical rule for [[harmonie|harmonization]]. It is based on the fact that all
- root note @en:vok
- he [[ton#tone]] of a [[tonleiter]] on which the [[harmonie|harmonic]] calculations of this scale depend. It ... r with the [[dominante]] and the [[subdominante]], it forms the three basic [[harmonie|harmonic]] functions.
- Doane, John Chalmers @en:bio
- t for [[en:vok:melodie]] (solo playing), [[en:vok:harmonie]] (accompaniment) and [[en:vok:rhythmus]] (percus