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- expression @en:vok
- excite must be taken into proper account in the [[Intervall|intervals]], the clever division of [[satz|moveme
- tuning @en:vok
- al [[en:vok:saite]]s correspond to exact [[en:vok:intervall|intervals]] (in the case of the [[en:vok:ukulele]
- period @en:vok
- c cadence, e.g. the [[grundton]] or its [[en:vok: intervall#octave]]. <panel> <carousel> * {{img:213.png?60
- psychoacoustics @en:vok
- nant//. This applies in descending order to the [[intervall|intervals]] [[prime]], [[oktave]], [[quinte]], [[
- chord @en:vok
- ild by stacking several notes in certain [[en:vok:intervall|intervals]]. In the four-string [[en:vok:ukulele]... Dyad === A chord consisting of three notes (one [[intervall]]. </panel> </col> <col sm="4"> <panel> === Triad
- interval @en:vok
- ===== interval ===== {{page>kopf:vok:intervall&nofooter&nolink&nodate&nouser&nomdate&noeditbutton}} The inter
- music theory @en:didaktik
- |melodic]] [[en:vok:intro#ostinato]] - [[en:vok:intervall]] - [[en:vok:tonleiter]] and [[en:vok:grundton]
- sequence @en:vok
- Particularly frequent is the displacement by a [[intervall#fifth]] down, referred to as **descending fifths*... "> The root note of each iterations descends in [[intervall#third|thirds]]. Frequently, the third-fifth chord... for the first chord of the model and the third-[[intervall#sixth]] chord (third-bass) = 1st inversion is use... kkordfolge#Pachelbel sequence]] is a descending [[intervall#fourth]]-third sequence. {{mp3:pachelbel.mp3}} <
- transposition @en:vok
- ging the [[pitch]] of a piece of [[musik]]. The [[intervall|intervals]] between the individual [[en:vok:ton#t
- internal differentiation @en:didaktik
- easurable terms (e.g. "identify diatonic [[en:vok:intervall|intervals]] in the [[en:vok:tonart|key]] of C, as
- melody @en:vok
- n fixed [[tempo|temporal]] and [[pitch]] [[en:vok:intervall|intervals]] that are thought to belong together (
- texture @en:vok
- when the [[en:vok:akkord]] replaced the [[en:vok:intervall]] as the reference of harmony. Most polyphonic fo