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- dynamics
- Schubert) //decrescendo// denotes only a gradual lowering of volume, //diminuendo// on the other hand
- concert pitch
- ri, and others had designed their instruments for lower chamber tones, and that higher tunings would le... sance]] and [[en:stil:Barock]] music sounded much lower in their day than in today's performances. Howe
- tone and sound
- ved as a disturbing echo. Another problem is that low notes are always reflected more than high ones.
- expression
- hysically overwhelming, that is pathological, the lower is its aesthetic share.((Eduard Hanslick: //Vom
- harmonics
- | {{mp3:flageolett_12_pono.mp3}} || | | [[en:vok:lowg]] \\ ([[en:uke:koalohaktm00]]) | {{mp3:flageolet... | {{mp3:flageolett_07_pono.mp3}} || | | [[en:vok:lowg]] \\ ([[en:uke:koalohaktm00]]) | {{mp3:flageolet... | {{mp3:flageolett_05_pono.mp3}} || | | [[en:vok:lowg]] \\ ([[en:uke:koalohaktm00]]) | {{mp3:flageolet... finger of the [[en:vok:anschlaghand]] 12 strings lower the string while the thumb strokes 3--4 frets h
- Blue Note
- Notes are between a quarter and a half tone step "lower than expected" for Western listeners used to We
- tuning
- ord]]). <grid> <col sm="6"> String intervals in [[lowg|linear]] [[Stimmung]] {{img:c6l_akk_en.jpg?direc... {{img:c6r.png?direct}}\\ </col> <col sm="6"> **[[lowg|linear]]:** \\ {{img:c6l.png?direct}}\\ </col> <... \\ {{img:d6r.png?direct}} </col> <col sm="6"> **[[lowg|linear]]:** \\ {{img:d6l.png?direct}} </col> </g... G6" subtitle="DGBE (Chicago)"> The (exclusively [[lowg|linear]]) G6 tuning is common for [[en:vok:barit
- maple @en:vok:klangholz
- orium and while it doesn’t 'feel' like it has the low-end support that [[en:vok:klangholz:Palisander|ro
- cocobolo @en:vok:klangholz
- to [[koa]], but resonates a little deeper on the low end, although it doesn’t have quite the full low end of [[palisander]] or [[ovangkol]]. Fast and respo... late with lots of note distinction. It blends the low end and midrange of the body with the wood’s brig... ewood sound with a little less but still a strong low end and a little more treble zing with fine disti
- spruce @en:vok:klangholz
- t with more [[en:vok:ausschwingdauer]] and mid-to-lower-end tones. These two are used for the [[en:vok:
- ebony @en:vok:klangholz
- right in the high tones, but a little flat in the low tones, which might be a problem, but thankfully i
- scale
- come back to the same ladder; but in a higher or lower [[pitch]]. Learning and mastering the scales is... *b quadratum** became h (= H). By contrast, the b lowered by a semitone was written with the **b rotund... //flat// if they are below it. F and C can not be lowered because their distance to the previous note i... he same notes (and signs), always one minor third lower. ^Major|Cb|C|C#|Db|D|Eb|E|F|F#|Gb|G|Ab|A|Bb|B|
- root note
- calculations of this scale depend. It is also the lowest note of the scale (except in the [[modus#plaga
- pick
- ok:i]] of the [[en:vok:anschlaghand]] so that its lower third is visible and the vertex touches the [[e
- bout
- halloch]] in the upper bout. </panel> <panel> === Lower Bout === The **lower bout** marks the bottom end of the body. </panel> <panel> === Waist === The *... waist** is the indentation between upper bout and lower bout. [[Banjo|Banjo]], pineapple or teardrop sh