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Passende Seitennamen:
Volltextergebnisse:
- minor key
- two minor [[Terz|thirds]]) built on the note one major [[Sekunde]] higher. In addition, there is the note that is a major second (two semitones) above the highest note of ... a diminished minor triad building on the note one major second higher. In addition, there is the note tha... ord formed on the dominant of the root a [[akkord#major chord]]. </panel> <panel title="Melodic minor"> A
- expression
- [[Rhythmus]] </col> <col sm="4"> * mode ([[dur|major]]/[[moll|minor]]) * [[pitch]] * [[Klangfarbe]
- Blue Note
- ropean instruments by striking both the minor and major [[terz]] simultaneously on the piano or [[bend|be... o that the note was plucked between the minor and major [[terz]]. This tone, which sounds like a "sigh mo... luded as additional notes in a [[en:vok:tonleiter#major scale]], Blue Notes can be roughly understood as
- circle of fourths
- el> <panel title="Gender of the chords"> ^Colour^Major scale^Minor scale^ ^green|major|minor| ^orange|minor|major| ^yellow|minor|diminished| ^red|diminished|minor| </panel> <panel title="Ste
- circle of fifths
- a tool to represent the relationships between the major and minor [[Tonart|keys]]. Its inversion is calle... el> <panel title="Gender of the chords"> ^Colour^Major scale^Minor scale^ ^green|major|minor| ^orange|minor|major| ^yellow|minor|diminished| ^red|diminished|minor| </panel> <panel title="Ste
- chord progression
- **Meaning** \\ Base and target (quietness); [[dur|major]] \\ [[moll|Minor]] \\ Minor \\ Transition; major \\ Tension (interruption); major; often with [[Septime]] \\ Minor \\ Diminished \\ </col> <col sm="2"> **In C Major** \\ C \\ Dm \\ Em \\ F \\ G \\ Am \\ B </col>
- tuning
- When you play the empty strings you already get a major chord (C major or D major). If you tune the fourth string one tone higher, you get another //open tuning//: The open st
- tempo
- be played faster than music in [[en:vok:tonleiter#major scale|major]], because they want to experience its harmonic dissolution. ((Ibid. 36-37.)) </panel> <pane
- cadence
- cadences" icon="glyphicon glyphicon-comment"> * Major cadence (1451) (I-IV-V-I) and variants \\ (1151,
- scale
- g:japan.png}} //so//))| | </panel> <panel title="Major scale"> A tone scale can be built on each tone, l... eps are on the 3rd and 7th step, this is called a major scale. ^Example: C major||||||||| ^Position^1^2^3^4^5^6^7^8^ ^Tone|C|D|E|F|G|A|B|C| ^Step| |1|1|.5|1|1|... 1|.5|1|1| </panel> <panel title="Parallel"> Each major scale has a [[en:vok:Paralleltonart|parallel mino
- dominant
- icon="glyphicon glyphicon-comment"> * Scale: C major; dominant: G major * Scale: A minor; dominant: E minor </panel> </accordion>
- subdominant
- icon="glyphicon glyphicon-comment"> * Scale: C major; subdominant: F major * Scale: A minor; subdominant: D minor </panel> </accordion>
- psychoacoustics
- nor-tonal music to be played faster than music in major because they want to experience harmonic resoluti... l> <panel title="Musical Equilibration" subtitle="Major and Minor"> The [[harmonie#Theory of Musical Equi... empts to psychoacoustically explain the effect of major and minor [[harmonie|harmonies]]. </panel> <panel
- intro
- . <grid> <col sm="6"> == 1625 == <carousel> * C major: C-Am-Dm-G7 \\ {{mp3:pro_c1625.mp3}} * F major: F-Dm-Gm-C7 \\ {{mp3:pro_f1625.mp3}} * G major: G-Em-Am-D7 \\ {{mp3:pro_g1625.mp3}} </carousel> </col> <col sm="6"> == 1645 == <carousel> *C major: C-Am-F-G7 \\ {{mp3:pro_c1645.mp3}} *F major:
- chord
- te on string 2) <grid> <col sm="6"> == Example: C Major == <carousel> * {{mp3:chord_ceg.mp3}} \\ root p... </col> </grid> <grid> <col sm="6"> <panel title="Major chord"> === Major chord === In a major chord, the root note is followed by a major third, followed by a minor third. == Ex