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- Improvisation
- the [[ton|tones]] it contains in succession as [[melodie]] notes. Adapt the improvisation to the [[rhythmu
- music
- vok:klangfarbe]], but in most cases also [[en:vok:melodie]] and [[en:vok:harmonie]]. Its perception is depe
- expression
- tion]] </col> <col sm="4"> * [[Struktur]] * [[Melodie]] * [[Harmonie]] * [[Rhythmus]] </col> <col s... the possibility, resting in them, of different [[Melodie]], [[Harmonie]] and rhythm. Unused and inexhausti
- timbre
- ing elements of a musical composition alongside [[melodie]], [[harmonie]] and [[rhythmus]]. === Attack and
- Blue Note
- ate&noeditbutton}} The Blue Note is a note in a [[Melodie]] that is outside the usual [[tonleiter]] and giv
- embellishment
- ent is a [[ton#sound]] that does not change the [[melodie]] or the [[harmonie]] of a piece of [[musik]], bu
- chanterelle
- |polyphonic]] [[arrangement|arrangements]], the [[melodie]] note is often found here. Technically, the chan
- standard
- decades as both private and social recognition [[melodie|tunes]].((Rainer Moritz: //Und das Meer singt sei
- contrafact
- he use (possibly also variation) of an existing [[melodie]] with a new lyrics or an existing [[akkordfolge]... activity is simply to set new words to an older [[melodie|tune]]. A piece constructed in that way is called... :stil:blues]]. The blues has no true "original" [[melodie]]: it is an eternally unfinished song form. ... A... composed contrafacts show new ways of creating [[melodie]] and of subtly [[harmonie|re-harmonizing]] a son
- thumb
- in [[lowg]] tuning to play [[akkord|chords]] or [[melodie|melody]] notes in which the bass is far away from
- little finger
- er", which often plays passing notes as well as [[melodie]] notes. * In the first [[lage]], the [[q]] gen
- psychoacoustics
- ed listeners have more difficulties recognizing [[melodie|melodies]] that are played slowly than those play
- intro
- essential characteristics of the piece such as [[melodie]], [[rhythmus]], [[tempo]] and [[tonart|key]]. Of... he main part can be presented in the intro; the [[melodie]] must however be adapted to the [[harmonie]]. =
- chord
- are used to add [[en:vok:harmonie]] to a [[en:vok:melodie]]. What type of chords are used depends heavily o
- interval
- ain part]] in the [[harmonie|harmonization]] of [[melodie|melodies]]. They define the most important [[akko... was considered a //perfect interval//, i.e., a [[Melodie]] could end on the fifth of its [[grundton]]. Thi