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- AABA
- yed twice (but with different verses); then the B part, thereafter once more the A part (together 32 measures, therefore also called //thirty two bar form//).... a [[en:vok:coda]] could follow. The repeating A part is called [[en:vok:chorus]], the B part [[en:vok:bridge|bridge]]. The archetype of this form was the G
- ABA
- mdate&noeditbutton}} ABA denotes a ternary (three-part) song form. The first part (A) is followed by a middle part (B) and finally again the first part (A). Possible variants are AAB (the medieval bar form from which t
- AB
- nouser&nomdate&noeditbutton}} AB is a binary (two-part) song form. The first part (A) often ends on the [[Dominante]], the second part (B) on the [[Grundton]]. Other binary forms are AA
- expression
- performance, because it still lacks the essential part of it, namely the [[ausdruck]] of the prevailing ... others by speaking tones. Expression is thus that part of the good performance, whereby the actual maste... the individual with the universal is due in large part to the unnameable magic of the art of sound.((D.R
- bridge (music)
- er&nomdate&noeditbutton}} An interlude in a multi-part piece of [[musik]] that serves as a preparation for the repetition of the main part. The expression //bridge// gained popularity in ... 1960: >The inside of the tune (the bridge) is the part that makes the outside sound good.(([[http://ralp
- glee club
- music's art, > Do join in this society to bear a part; > For in this pleasant grove, we'll sit, we'll d... waiian music. Soon, the Ukukele became a popular part of the academic and university glee clubs in the ... 11.1915, p. 8)) The academic glee clubs were also part of the early //contents business//. As early as 1
- intro
- |classical]] works, which should lead to the main part. The intro prepares listeners and musicians for t... rhythm, which repeats again and again in the main part and characterizes the piece as a whole. == Harmo... First bar == The first [[takt|bar]] of the main part can be presented in the intro; the [[melodie]] mu
- ABACA
- /ABACA// is the small form of a //rondo//. In it, part of the piece of [[Musik]] returns over and over again; this part (A) is therefore called a [[chorus|refrain]]. The
- chorus
- nerally, //refrain// is the name of the repeating part of a piece of [[musik]], containing its [[melodie]] and [[harmonie]]; thus, in the popular [[AABA]] format, it is the A part, mostly called //chorus//.
- harmony
- n of [[struktur#polyphony]] and triggers, on the part of the listener, different sensations according t... n the Western view, harmony is the most developed part of music theory. Harmony forms the vertical [[str
- interval
- ttp://www.musikanalyse.net/tutorials/terzen/|main part]] in the [[harmonie|harmonization]] of [[melodie|... ny the melody in [[sequenz#descending thirds]] is part of the musical standard repertoire. * A //minor
- chord-melody
- cular, its root note can be skipped (if it is not part of the melody); thus, chords are of realized as [... of the melody, notes of the chord applied to this part of the melody are played [[beat#on-beat]] (in fou
- period
- one, two or four [[en:vok:takt|bars]]. The first part is regarded as the opening and is referred to as the antecedent, the second part is considered the closure and is called the conse
- fourth cadence
- eated in [[AABA]] form. The [[harmonie]] of the A part follows an x-vi-ii-V progression (x625), the B part consists of the fourth cadence iii7-vi7-ii7-V7 prog
- bridge
- nouser&nomdate&noeditbutton}} - The bridge is a part (mostly made of [[en:vok:klangholz:palisander]]) ... :Kompensation]]. - //Bridge// also designates a part of a [[musik|musical]] composition; see [[bridge]