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- concert pitch @en:vok
- ===== concert pitch ===== {{page>kopf:vok:kammerton&nofooter&nolink&nodate&nouser&nomdate&noeditbutton}} <panel title="Definition" subtitle="Chamber pitch, concert pitch, and standard tuning pitch" icon="glyphicon glyphicon-info-sign"> Originally, when instruments were tune
- tone and sound @en:vok
- d behind it oscillates wavy. This creates certain pitch ratios of the string, which are defined as musica
- expression @en:vok
- 4"> * mode ([[dur|major]]/[[moll|minor]]) * [[pitch]] * [[Klangfarbe]] </col> </grid> Not all of th
- Blue Note @en:vok
- ings (which characteristically also changes the [[pitch]]) gives the Blue Note an additional, somewhat in
- Sources of the History of the Ukulele: 1930-1979
- t music." == Action at SPA == >That the Godfrey pitch is not merely the crotchet of a uke-happy pixie w
- tuning @en:vok
- (usually [[https://en.wikipedia.org/wiki/Concert_pitch|concert pitch]] a'((Normalized as 440 Hz.))). With a stringed instrument, **pure tuning** is possible, i.e., the distances between the [[en:vok:pitch|pitches]] of the individual [[en:vok:saite]]s cor... <grid> <col sm="6"> == Reentrant tuning == The [[pitch]] in the 5<sup>th</sup> [[bund]] of the second [[
- scale @en:vok
- ck to the same ladder; but in a higher or lower [[pitch]]. Learning and mastering the scales is an integr
- capo @en:vok
- note higher per fret) (//[[en:vok:Versatz#Strings|pitch offset]]//). In this way you can play in a differ
- psychoacoustics @en:vok
- ttributes this effect to the fact that the high [[pitch]] of the ukulele gives the impression that the ba
- moveable patterns @en:vok
- f your [[Greifhand]] to different frets, only the pitch will change. This makes it easy to change the [[T
- music theory @en:didaktik
- n:vok:synkope]] </panel> <panel title="Horizontal pitch"> - [[en:vok:pitch]] - [[en:vok:phrase]] - [[en:vok:melodie|melodic]] [[en:vok:intro#ostinato]] ... k:transposition]] </panel> <panel title="Vertical pitch"> - [[en:vok:akkord]] - [[en:vok:Kadenz]] -
- ukulele @en:vok
- A<sub>5</sub> and thus corresponds exactly to the pitch of the human soprano. At [[lowg| linear]] tuning,
- string @en:vok
- by [[en:vok:schlagen|]] or [[en:vok:zupfen]]. The pitch of this sound depends on the tension, the radius
- transposition @en:vok
- ate&nouser&nomdate&noeditbutton}} Changing the [[pitch]] of a piece of [[musik]]. The [[intervall|interv
- Common-Practice Era @en:stil
- h is to say, a common value system about [[en:vok:pitch]] relations before, during, and after the so-call