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- harmony @en:vok
- aARf3buCjAC&printsec=frontcover&hl=de#v=snippet&q=tonarten&f=false|Versuch einer Anweisung die Flöte trave... ael Gassmann: [[http://www.faz.net/aktuell/wissen/tonartencharakteristik-welten-zwischen-c-dur-und-h-moll-1359947-p2.html|"Tonartencharakteristik: Welten zwischen C-Dur und h-Moll... ng Lempfrid: [[http://www.koelnklavier.de/quellen/tonarten/allgemein.html|Tonartencharakteristik]] * Dan
- Blue Note @en:vok
- te|fifth]] and small [[septime|seventh]] to the [[tonart#root note]]. However, for the practice of playing... is creates a deliberate ambiguity in the [[en:vok:tonart#gender]] of the melody, which is interpreted as m
- internal differentiation @en:didaktik
- ic [[en:vok:intervall|intervals]] in the [[en:vok:tonart|key]] of C, ascending and descending from any not
- correcting mistakes @en:didaktik
- e. It would be a good idea to change the [[en:vok:tonart|key]] of the song. Guido Heistek((Heistek, Guido:
- repertoire @en:didaktik
- going to like and then arrange it in the [[en:vok:tonart|key]] that it's going to be playable. [[bio:Roy S
- fun @en:didaktik
- ay twice. Teach a piece in two different [[en:vok:tonart|keys]] and then play them together (just for fun!
- practising effectively @en:didaktik
- , take a familiar song and play it in a new [[vok:Tonart|key]], learn a new inversion of a familiar [[vok:
- potential of the ukulele @en:didaktik
- and all things that go with that so that [[en:vok:tonart|key]] is understood--and you teach them to play h
- Middle Ages @en:stil
- [en:vok:melodie|song melodies]] and the [[en:vok: tonart|church modes]] and the [[https://en.wikipedia.org
- harp ukulele @en:vok
- The bass strings can be matched to the [[en:vok:tonart|key]] or the [[en:vok:stimmung]]. The first harp
- intro @en:vok
- uch as [[melodie]], [[rhythmus]], [[tempo]] and [[tonart|key]]. Often it is two, four or eight [[takt|bars
- capo @en:vok
- In this way you can play in a different [[en:vok:Tonart|key]] without having to change the picking patter
- chord-melody @en:vok
- d that the melody changes accidentally into the [[tonart|key]] of the dominant. Therefore, the fifth may o
- modulation @en:vok
- ], modulation refers to the transition from one [[Tonart|key]] to another. There are different techniques
- circle of fifths @en:vok
- t the relationships between the major and minor [[Tonart|keys]]. Its inversion is called [[quartenzirkel]]